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Morning Haikus, Afternoon Ragas

by Buck Curran

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  • Record/Vinyl + Digital Album

    Contains tracks 1-12.

    Includes unlimited streaming of Morning Haikus, Afternoon Ragas via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    Contains all tracks.

    Includes unlimited streaming of Morning Haikus, Afternoon Ragas via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 3 Buck Curran releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of No Love Is Sorrow, Morning Haikus, Afternoon Ragas, and Immortal Light. , and , .

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Taurus 04:27
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Dirt Floor 02:25
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about

On Buck Curran's second solo album, the emphasis switches to acoustic guitar, as compared to his first solo album, Immortal Light (ESP5014CD/LP, 2016). Side A, all solo acoustic instrumentals, seems to have fallen out of a wormhole emanating from Takoma Records in the 1970s. There's some of that on side B as well, but the tones shift to contemporary psychedelic soundscapes with vocals and other instruments, sometimes overdubbed, and the dedication of "Taurus" to Peter Green, guitarist extraordinaire of the original lineup of Fleetwood Mac (when they were a blues band), hinting at the breadth of Curran's influences. The introduction of other timbres and textures doesn't diminish the intimate, almost meditational mood, though.

credits

released March 23, 2018

Buck Curran: vocals, guitars, harmonium, flute, banjo.
Adele Pappalardo: vocals on "Dirt Floor."

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Buck Curran Bergamo, Italy

Buck's music has developed through a decade of playing with Arborea, and the experience of playing Blues and Folk throughout the 1990s. He also draws inspiration from the deep well of Folk and Rock of the 1960s, American Blues and Folk music of the 1930s, British Folk and Psychedelic Folk/Rock of the '60s and early '70s, Indian Classical music, and Jazz of the '50s and '60s. ... more

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